"A sketchbook is a secret thing, a collection of unfinished and often times abandoned ideas never intended for public consumption—at least not in their current state. It’s a private space for honing one’s craft and workshopping, separating good ideas from those best left unexplored." -Brian Heater at The Daily Cross Hatch.

29 January 2012

Norwegian Ninja: A Review

(click to enlarge)

After I wrote the bulk of this review I found a piece with a similar structure, using an American political figure to illustrate the plot of “Norwegian Ninja”. That piece is here. I debated changing mine, but I believe my analogy is more apt, so I’m keeping it. Enjoy:

Ok. Speaking to my fellow Americans, imagine this for the plot of a movie:

It’s 1985.  Chief Warrant Officer John Anthony Walker, a sailor in a sensitive communications billet for SUBLANT (Submarine Force Atlantic) is being arrested for one of the worst acts of betrayal (if not the worst- and certainly the one with the largest possibility of mass destruction) in American history. For 17 years he has been giving away classified information to the Soviet Union for filthy lucre. Through Walker, the Soviets have gained so much knowledge about our submarine capabilities, they have been able to engineer a new class of boat- able to outfox ours -and as a result, redress the imbalance (skewed towards us) in nuclear warfare capability. They can now sneak around our underwater defenses and put missiles closer to our shores than ever before.

Following me? It’s a movie plot. Stay with me.

Ok. Here’s where the movie gets weird…John Anthony Walker turns out not to be a traitor- but a patriot. For years he has been leading a clandestine force of ninja held in readiness to engage in secret combat against those who would threaten the American way of life. In this case it is a shadow army of villainous men who would dubiously lead us into war to maintain global hegemony. (You caught the part about the secret Ninja force, right?) So, in this movie, why does our "hero" Walker end up in jail? Well…to tell you that would be a spoiler, but it’s a necessary part of the plan.

Got it? Sound like a good flick? Something you’d see?

Well. You can.  Sort of.

Just substitute John Anthony Walker (I spit on the ground at his name!) with real life former Norwegian Labour Party diplomat Arne Treholt and you have Thomas Cappelen Malling’s film “Norwegian Ninja”. Treholt was caught in an act of espionage with the Soviets that was severe enough to put him in prison for 20 years. (He was pardoned after 8).

Enraptured by a trailer I couldn’t understand, I eagerly awaited the film's arrival at my local art-house theater. If it showed up, I missed it. “It’ll be be on Netflix for sure.” I thought. No dice. Why, why, why!? I wondered. Who wouldn’t want to see a Norwegian action flick that bucks the Viking stereotype? The trailer gave me tantalizing glimpses of Ninja commandos clad in amazing knitwear, doing battle amongst picturesque Norwegian fjords...I had to see it.

So, eventually I caved and I bought it. (Who has the money for frivolous DVD purchases in this day and age?) Turns out if I had waited a little longer, I could’ve gotten it on Netflix. Oh well.

But, I think I have an answer as to why it didn’t immediately break big into the American film scene. There is a bit of…how can I say this? “Anti-American Sentiment” in the film. It’s subtle. You have to read between the lines but it’s there. (I’m kidding, it’s actually very obvious.) It was soon very clear that this was not a silly film about Ninjas and spies.  Malling’s Treholt is Noam Chomsky in tabi boots. (with throwing stars and a Mauser, riding a Maiale.)       

In the film, Arne Treholt’s Ninja Force is desperately trying to prevent a CIA-sponsored campaign of propaganda-by-deed/false-flag-terrorism (the alleged “Operation Stay Behind”) intended to draw the Scandinavian countries (Norway in particular) closer to the American bosom and further from their Soviet neighbors. Sound like a good Psy-Op?

Malling does a good job of integrating real terrorist events (and other suspicious looking calamities) into the plot of his film. Did the CIA blow up the Bologna train station and the Alexander L. Kielland drilling rig in 1980? I doubt it. It may have been the Cold War, with a lot of intelligence agencies doing nutso stuff out there in Europe, but I don’t think that the CIA would have gone to those lengths to turn the Norwegians (or Italians) away from the Soviets. Certainly, we wouldn’t have wanted Soviet sub bases in Norway. However I doubt that Norway was a strategic priority that would have necessitated measures of that severity.  (Can I see the CIA asking Norwegian citizens like Hans Otto Meyer, to cache weapons for a “stay-behind” guerilla force in case of actual Soviet occupation? Yes, I can. )

 The premise of the film raises an unpleasant specter for Americans. Do we secretly sponsor terrorism to achieve our national security aims? Was the scene where a "Stay Behind" pilot aims his plane at Oslo's two-towered City Hall Malling’s way of saying that 9-11 was an “inside job”? I have always rejected that theory and its inclusion in the film deeply soured it for me. It's easy to embrace conspiracy theories when you're predisposed to do so. I mean, by that same logic, one could connect the dots and work out a theory that Anders Behring Breivik conducted his massacre at the bidding of a secret cabal of left wing Norweigan politicians, in order to create an atmosphere of empathy that would be conducive to pushing legislation through for looser immigration laws. It makes total sense, right? (For the record, I don't really believe that.) Truth is in the eye of the beholder, I suppose.

I can understand where Malling is coming from though. Remember those submarines with nuclear missiles we were talking about at the beginning of the review? During the Cold War their patrol areas skirted Norway. Neighboring Finland was, for all intents and purposes, a dormant Soviet satellite. The potential threat of invasion to Norway was as real as anywhere in Europe.  I can understand why Arne Treholt (the Ninja version) would want to balance with the Soviets, instead of against them. In America, protected by two oceans, a Soviet invasion would have been impossible (despite Hollywood's attempt to convince us otherwise) and accorded us a certain degree of emotional insulation. The fear and paranoia in 1980's Norway must've been palpable.

What comes through in this film is a strong sense of Norwegian pride and independence. They can afford to have it- they aren’t dependent on anyone for oil and only 2% of their population is non-European, which allows them to emotionally disengage from the world to a certain degree. The standard of living for Norwegians is good, due to an equitable distribution of tax rates. They aren’t a member of the EU and apparently they are incredibly self-sufficient. This, primarily, is why the threat of being suborned by the CIA  is anathema to (Ninja) Treholt. After a long history of occupation (first the Danes, then the Swedes, zen ze Germans) it’s no wonder that (Ninja) Treholt puts his life on the line to "beat the shit out of those who [would] mess with the Norwegian way of life”.

So, aside from the conspiratorial insinuations, I enjoyed the film. Stylistically, I loved it. At first, coupled with soft lighting and faux-80’s aging, it had the feel of Megaforce (Deeds not Words!) meets the Royal Tennenbaums. Treholt’s top-secret Ninja commandos train on a peaceful island (Grassy Island in Oslo Fjord) protected by a Feng Shui force field. In lieu of the Megaforce’s flying motorcycles, they have maiali and amphibious cars. Each member of the team has a specialty- from sharpshooting to combat driving to pacifism. (And, believe it or not, the pacifist ninja plays a key role). King Olav V (The People's King) is also a character in the film. He is often seen relaxing at Grassy Island and conferring with Treholt.

In terms of “action”, there’s enough of it, though I wouldn't classify this an "action film". There's an intense “selection” scene, where two apprentice ninjas vie for full membership in the Ninjatroppen (which also makes you wonder what selection for Norwegian SF must be like- skip ahead to 3:01)There are plenty of fight scenes, especially when Operation Saga Night really begins. But I don’t want to ruin too much. (If you rent the DVD, make sure you watch the extras for how they filmed the squirrel suit footage.)

Once I put aside my feelings about the anti-American tone of the film, I was able to enjoy it.  (It's always instructive to know how the world views us). It was exceedingly well done for a movie that probably had access to an infinitesimal fraction of a Hollywood budget. And, I'm always a sucker for labors of love that come to fruition. Despite my mixed feelings, Malling's Norwegian Ninja is a fantastic entry into the genre of Cold War films.





15 October 2011

A Bootleg Maakie


Right click on image and hit "view image" for best results.
(WTF, Blogspot?)


And just remember folks, the real Maakies is here: Maakies.comhttp://www.maakies.com/

06 September 2011

Jack Tar Magazine in Print: It Has Arrived

I only (virtually) met Kim Carver a couple of years ago, but at that time it seemed she had already been well into the effort of bringing her vision- a maritime culture magazine- into physically tangible existence. Well...now it's here and available at MagCloud. (Also available digitally.)

I don't think anything else I could say would do it justice. Head on over to Jack Tar's virtual home to read Kim's rationale for creating the magazine.

So again, congratulations Kim! Looking forward to a long run in print (not to mention, more calenders). -CITS

21 July 2011

Author Beach: An Appraisal

(Captain Edward L. Beach Jr. Submarine commander, Author. Photo taken from Wikimedia Commons.)

While things are slow here at Cold is the Sea, I thought I would reprint a comment that was recently left in a post that's almost exactly 51 weeks old. The aforementioned post was my take on Captain Beach's novel "Cold is the Sea", which I appropriated for the title of this blog. The author of the following comment is a former Navy scientist, and I figured since he knows of what he speaks, it was worth reprinting in its very own post. There are SPOILERS within, so be warned. So here you go Topper, you have your very own guest book review on Cold is the Sea (the blog, not the novel). Thank you for your service!:

"It's almost a year since I made my first comment following your post about "Dust on the Sea." (DOTS) It took me a while to find a copy of "Cold is the sea," (CITS) and when I finished it I decided not to immediately come back to your site to give you my update, as you had invited me to do, but to wait until I reread "Run silent, run deep" (RSRD) again, to try and find some overall perspective. Here is what I now think:

(1) RSRD is a truly excellent novel. It draws on the authors extensive experience of undersea warfare, and his evidently deep technical expertise, which are then coupled with a remarkable narrative flair, to produce a deeply convincing and enjoyable story.

There is only one slightly critical comment I can find to say about RSRD, and I think I am really being unfair in even raising it. Beach, in his prefacing remarks to the novel, states that all the events portrayed are fictional, although technically feasible. He obviously based them on his own personal experiences, as well as those of other submarine commanders that he heard about, or was told about, during his period of service. He then, very cleverly, arranged and fictionalized them to construct his narrative. The main character, Richardson (clearly based on Beach himself), is the main protagonist in most of these events. However, there are so many of them that, as I approached the end of the story, I find my credibility being stretched a little to believe that one man could have accomplished so much. At the very end, when Richardson personally directs his sub, alone on the bridge, to ram the lifeboats in his fanatical quest to kill Bungo Pete, and then (a few pages later) jumps off the sub to save three airmen from drowning, and then (a few pages again) goes to Washington to receive the Congressional Medal of Honor, I really thought Beach might be succumbing to the temptation of self-glorification.

The reason I say this comment is "unfair" is that Beach, of course, was trying to create an exciting story for his readers, which he clearly succeeded in doing. The positive qualities of the story overwhelm such trifling quibbles.

(2) It is clear from the finale of RSRD that Beach did not originally intend to write a sequel. But such was its success, that his publisher probably offered him a lot of money to do so. He may have had the problem that he had used up most of his best material on RSRD, and therefore had to resort to more pure invention (which he wasn't quite so good at) in DOTS, which didn't quite ring true when compared to the authentic stuff related in the first story. It is perhaps for this reason that you found: "the book took on the turn of a Boy's Own adventure and just became so unbelievable I couldn't really get into it." I still feel more forgiving though, probably because I am enthralled by the technical navy stuff (I'm a retired navy scientist).

(3) CITS is clearly a work of pure fiction, as far as the naval action goes. Beach, however, again uses his ability to weave in his own personal experiences, together with his expertise, in a very engaging way. I found the interactions with Brighting (i.e., Rickover) absolutely compelling, and very believable. While I never met anyone as exalted as Rickover during my career, I did deal with several people of that personality type. The navy bureaucracy has (or, at least, had) many prickly martinets, both in and out of uniform. They could be difficult to work with, but they got the job done!

I also read the articles on both Beach and Rickover on Wikipedia which, if you haven't already seen them, are worth a visit. The interaction between the two of them is covered in the Beach article. I didn't realize that, at the time of his retirement, Rickover was the longest serving US Navy officer ever (63 years). Nobody was able to retire him! Finally, it took a gentle nudge from President Reagan (who Rickover probably liked and trusted) to get him to go. He sure left a great legacy for the United States."

08 July 2011

SWAG: Arctic Convoy T-Shirt

Those of you who know me well, know that I have a t-shirt problem. I love t-shirts. I have mounds of t-shirts from all over the world. From shit-hole punk rock bars in NYC to the US Embassy in Saudi . However, a quick survey of my closet reveals that the "maritime pile" is the largest, so you can imagine my delight when I espied this "Arctic Convoy" t-shirt (below) from Philosophy Football. Their range offers t-shirts celebrating everything from  Mario Vargas Llosa, to William Blake's Jerusalem.

Considering that I had an Uncle who was a Merchant Marine during WWII, the shirt below has an extra special place in my heart. All of you real, former or armchair sailors, seafarers or seamen, check it out:


ARCTIC CONVOY 70th ANNIVERSARY T-SHIRT

When Hitler invaded the USSR on 22 June 1941 the response of Britain and its allies was almost immediate. Crucial supplies were provided via the Arctic convoys. The first of which, 'Dervish', left from Iceland on 21 August arriving in Archangel ten days later. This superb anniversary T-shirt depicts HMS Halcyon which provided part of the naval escort and lists all the Royal Navy and Merchant Navy ships plus solitary Dutch vessel which formed this first convoy. Available from www.philosophyfootball.com
Full Disclosure: I got a free t-shirt for writing this post. I'm actually wearing it right now. It's a VERY cool tee.

05 July 2011

What's in a Name?: Seaman vs. Seafarer

Today in the Marine Cafe, Barista Uno tackles the semantics of the title "Seaman vs. Seafarer". Have an opinion? Head on over there and add your voice to the conversation. 

27 June 2011

Burma

I took this photo by the Rangoon River in Rangoon, Burma in 2000. This was an event where citizens of Rangoon were forced to attend a ceremony marking the arrival of "Southeast Asia's Biggest Buddha", a Buddha so big and heavy that the Junta didn't have the equipment to hoist it up the hill where it was to stand. Note that the soldier is carrying an M1 Carbine, which the Burmese received in abundance in a US aid package probably in the 1950's.

01 June 2011

From the Vaults: The Siege at Kham Duc

Hello poor neglected blog.

Been digging through a mountain of stuff in my Man Cave/Landfill and found these two pages from an unfinished story I started doing in 1997. It was about a Vietnam War battle whose origin sprung from the Tet Offensive. I think in '97 I was actually in touch with a participant of the battle and was working from something he'd written. Yet another project that overwhelmed me in its magnitude and remained unfinished. Oh, what could've been.

For more information on the Battle of Kham Duc and the super-ballsy relief operation check out these links:
The Battle of Kham Duc (Wikipedia)
Rescue at Kham Duc (MilitaryPhotos.Net)
Kham Duc (Sgt. Mac's Bar)
Mort's Rescue at Kham Duc (Flying in Crosswinds)

27 March 2011

Riding the Shaft: Preliminary Sketch

This is a rough quick preliminary sketch for my next undertaking (suggested by a former sailor, machinist and fine art devotee, CB)... Machinist Mates "Riding the (propeller) Shaft"...Don't get caught...don't get hurt... Anyone in blogland ever do this for real?

06 March 2011

Plug: US Navy Tailor Made Dress Blues, Liberty Cuffs and Sailor Folk Art

One of the most popular images on this site is my illustration of a pair of US Navy Liberty Cuffs which I couldn't have done without the information from Navy Collector, a site by Dan Smith SCPO, USNR(Ret). Dan recently messaged me with information about his new book "US Navy Tailor Made Dress Blues, Liberty Cuffs and Sailor Folk Art", so I thought I'd give him a plug. Thanks for your site Dan! I'm looking forward to the book. Order information is at the bottom of the image posted above.

EDIT 04/21/11: While there is a lot of fascinating stuff in this book- plenty of photos and history- and while it is obviously a labor of love- I think I should note that this is not a "traditional coffee table book". It is not bound like a hardcover (or softcover) book. (It has a spiral binding). Given that I've provided the plug above, I think I should provide (relatively) full disclosure here. If there are any publishers, graphic designers or book packagers out there looking for a potentially remunerative project, I think this book is it. I encourage you to get in touch with Dan Smith and help him out on the design and presentation angle.

15 December 2010

Salty Walt and the Rattlin' Ratlines.

Months ago, Salty Walt approached me and asked if I'd like to do some art for his sea chantey band...Not having done any band flyers since my East Village days where I (unconsciously) channeled Raymond Pettibon at the behest of Sweet Diesel's bassist, I struggled with how to portray Salty Walt and the boys... In the end, with the aid of Herbert Asbury's true-crime book "The Barbary Coast", I decided to portray them doing what 19th century sailors did best...and that's have a good debauch while ashore... Walt, Ratlines, I hope you guys have a good sense of humor...

10 November 2010

Happy 235th Birthday, Marines.



EDIT 04/25/11: This is a digital-media version of a drawing I did that was initially going to be the basis for a watercolor. I was going to do it for a Vietnam Vet friend of mine (it's him) but never finished it, because I was afraid of fucking it up. Anyways, contact me if you'd like a signed giclee! coldisthesea09@yahoo.com.

When I first posted this, it was the 235th birthday of the United States Marine Corps. So I'll leave you with the last line of the initial post: "Wherever you are today Marines, be safe!"

29 October 2010

Work Doodles



Didn't get a lot of sleep last night, so by mid-afternoon I felt like the walking dead. I had a bit of free-time, and once secured from view, I commenced to doodle.

You'll notice a couple of Guernsey sweaters in there. Being a traditional sailors garment dating back to the 18th century as a uniform item for the Royal Navy, they're made out of "oiled wool", presumably for it's water resistant property. I just ordered one- didn't get the traditional Navy blue version, but Desert Rat-ecru. (Can't have all of my clothing looking like Navy surplus). Hopefully it'll get across the pond soon, because it feels like the snow is getting ready to fly up here.

On the lower right-hand corner is an image inspired by this passage from John Dos Passos' "1919":
"Joe Williams put on the secondhand suit and dropped his uniform with a cobblestone wrapped up in it, off the edge of the dock into the muddy water of the basin...he walked slowly out to the beacon and watched the fleet in formation steaming down the River Plate. The day was overcast; the lean cruisers soon blurred into their trailing smokesmudges." 

Having crapped out while reading "Manhattan Transfer", I'm only reading the "Joe Williams" chapters of 1919 (I'm skipping the "camera eye" parts and everything else) so I'm having a great time with it. I'm also rationing it out. I don't want to finish it quickly.

Joe is a great archetypal sailor- his life follows a pattern- he goes out to sea- eventually gets fed up with it- comes back to the beach and tries to get a straight job. But the pull of life at sea is always too irresistible and he always ships out again. The scene above describes his desertion from the Navy in the beginning of the book. Someday I'd like to make that an illustration...apologies to Reginald Marsh.

24 October 2010

Troubled Water


"If you doubt for one moment that I understand your problems, if you doubt for one moment that I am a sincere black man..."...He could see the contempt in their eyes, the way they looked at him with disgust and scepticism.
                With a sudden burst of resolve, Cloud reached down to a man...and took his weapon, a heavy piece of steel...
"The first man in this crowd that for one moment does not believe my sincerity, I hold this weapon and I bare my back for you to take this weapon and beat me into submission right here!"
...Cloud stood there for a moment, the weapon held high, his heart racing and his lungs heaving, wondering if one of the sailors would suddenly charge. He knew that if one man attacked, the whole crowd was likely to follow and he would die an agonizing death, right there on the deck of the Kitty Hawk, at the hands of his own men. -From "Troubled Water: Race, Mutiny and Bravery on the USS Kitty Hawk"  by Gregory A. Freeman

One thing I love about a good sea story is that it takes you away from your troubles. It doesn't put your mind on your money woes. It doesn't make you think about politics, health care or "the education crisis". It doesn't make you think about anything real, like military policy in Afghanistan, transnational Takfirist terrorism , or our ascendant peer-competitor, China. It doesn't make you think about anything too aggravating.
"Troubled Water " by Gregory A. Freeman is exactly the opposite of that kind of sea story.
This book cuts to the core of one of America's most turbulent times- the early 1970's, when the anti-war and civil rights violence of the 1960's was still fresh in the American consciousness. In 1972 Vietnam was still raging- even though American troops had been reduced by 2/3 from their peak- and ships like the aircraft carrier Kitty Hawk were still sending in sortie after sortie over Vietnam.
It is often said that an aircraft carrier, due to the size of its manpower (5000 men) is a microcosm of American society- nothing could be truer here. "Troubled Water" details a "perfect storm" of 60's angst (the draft, racism, drugs, radicalism, anti-war sentiment) ,  the decline of military discipline and the strain of an incredibly long, extended deployment aboard the USS Kitty Hawk.
                Gregory Freeman writes that in the early 1970's race riots, radical activism and sabotage against military equipment- especially anything headed to Vietnam- were increasing in frequency within the US military. Aboard the Kitty Hawk anger over real and perceived racial incidents fueled an explosive atmosphere which erupted as the Kitty Hawk  cut short a much needed port call in Subic Bay to head back to Yankee Station.  Still tense over a racial incident which evolved into a riot in Subic, many (but not all) African-American crew members aboard the Kitty Hawk became worked up to the point where they picked up improvised weapons (everything from fog foam nozzles to tie-down wrenches) and started roaming through the ship severely beating any white sailors they came across- including those in showers, their racks or in sick bay- which was assaulted en masse several times throughout the night. Some sailors were beaten so seriously that they had to be medevac'd into Vietnam for treatment.
                On the military side of things, the book is a study in the failure of the unity of command. The riot evolved slowly and sporadically. Information was spotty, and communication between the Captain, the XO (LCDR Benjamin Cloud pictured above) and the officer of the Marine detachment, was non-existent during the crux of the violence.  So naturally, rumors flew and panic mounted. Officers were missing or not at their appropriate stations. Orders were given and countermanded over the 1MC. No plan had been created for this contingency, so none was implemented. Chaos and confusion reigned aboard the Kitty Hawk.  During the heat of the riot, some African-American crewmen voiced their intent to take over the Kitty Hawk and sail it to San Diego.
Mutiny you say? Definitely not, says the Navy. Since they were unsuccessful I think this only qualifies as an "attempted mutiny". Still- the Navy downplayed and buried the incident- as did the other services. "Chickens coming home to roost" after a couple hundred years of slavery, segregation and racist violence perpetrated against African-Americans? Most likely.
There's a lot more I'd like to say about "Troubled Water". Robert McNamara's Project 100,000 was also a factor in the Kitty Hawk riots, but time does not permit to muse on this anymore tonight. If you were in the military around this time, or have any reminiscences about racial incidents during the Vietnam War-era, please leave them in the comments.

09 October 2010

The Battle of the Atlantic: Hell and High Water



"...for it was the weather that was the most violent enemy of all. For eight days they steamed straight into a westerly gale: five hundred miles at a grindingly slow pace, buffeting through a weight of wind that seemed to have a personal spite in every blow it dealt." -Nicholas Monsarrat, The Cruel Sea.

It was the logistics train that saved Europe. From 1939-1945, lightly armed, newly built Liberty Ships  and an array of Allied (mostly British and Commonwealth)  naval vessels with air support constituted the "sinews of war" that brought gas, guns, food, ammunition and everything else a ground army needs to win, to the shores of Britain, Africa, North Russia and then later, continental Europe.

German Admiral Karl Donitz identified the logistics lines across the North Atlantic as the center of gravity for the Allied war effort against the Third Reich.  He then set about to sever them. U-Boats hunted the Allied merchant ships in groups called Wolf Packs and sent 36,200 Allied civilian and military sailors to their deaths. My Great-Uncle (an engine room snipe) was one of them. U-482 put two torpedoes into the side of his bulk-fuel carrier, the SS Jacksonville, 50 miles north of Londonderry. Two men survived, only because they were topside.

But the U-Boats weren't the only enemy. The weather and sea conditions also tormented the Allied crews as we can see in another passage from The Cruel Sea (whose author lived it, by the way):

"Aboard Compass Rose conditions were indescribable. She rolled furiously, with a tireless malice allowing no rest for anyone. Cooking was impossible...Everything was wet through: some water had come down a ventilator and flooded the wardroom: forward, the mess-decks were a crowded hell of saturated clothes, spare gear washing around their feet, food overturned- and all the time the noise, the groaning slamming violence of a small ship fighting a monstrous sea. Compass Rose caught in a storm that could take hold of her bodily and shake her till the very rivets loosened: a storm that raged and screamed at her until they were in the shelter of land again: Compass Rose adrift on a malignant ocean, seemed doomed to ride it together."

The Cruel Sea is full of passages like that. U-Boats aside, it is a testament to the skill and the emotional endurance of those sailors that they went through horrendous conditions like that, day in and day out for 6 years, all the while being hunted by submariners of the German war machine.

Technological advances made dominance in the Battle of the Atlantic go back and forth. Radar and sonar were a great boon to the Allies, but then the German schnorkel and the acoustic torpedo swung the balance back momentarily. In the end, it was the compromise of the German Enigma code that many historians credit with giving the Allies the best success in hunting, finding and killing German submarines. There were a plethora of other stratagems such as the convoy system and the coordination of air and sea power that drove the rest of the nails into the coffin of the U-Boat service of the Kreigsmarine.

But again, I think we have to give the most credit to human endurance in the face of "wrath of god"-style weather that enabled the Allies to succeed in the Battle of the Atlantic.

"...he...felt the gale whipping and tearing at his face...Compass Rose lurching under his feet as if the world itself were drunk, it was with a body from which every instinct save dumb endurance had been drained...the water crashed and thudded against their side, and the wind howled at them out of the blackness as if it had a conscious intention of terror. Round them there was nothing but a waste of sea, a livid grey whipped up here and there to white foam; and then beyond it, like a threatening wall, the surrounding dark, the chaos and  flurry of the night."