"A sketchbook is a secret thing, a collection of unfinished and often times abandoned ideas never intended for public consumption—at least not in their current state. It’s a private space for honing one’s craft and workshopping, separating good ideas from those best left unexplored." -Brian Heater at The Daily Cross Hatch.

01 June 2011

From the Vaults: The Siege at Kham Duc

Hello poor neglected blog.

Been digging through a mountain of stuff in my Man Cave/Landfill and found these two pages from an unfinished story I started doing in 1997. It was about a Vietnam War battle whose origin sprung from the Tet Offensive. I think in '97 I was actually in touch with a participant of the battle and was working from something he'd written. Yet another project that overwhelmed me in its magnitude and remained unfinished. Oh, what could've been.

For more information on the Battle of Kham Duc and the super-ballsy relief operation check out these links:
The Battle of Kham Duc (Wikipedia)
Rescue at Kham Duc (MilitaryPhotos.Net)
Kham Duc (Sgt. Mac's Bar)
Mort's Rescue at Kham Duc (Flying in Crosswinds)

27 March 2011

Riding the Shaft: Preliminary Sketch

This is a rough quick preliminary sketch for my next undertaking (suggested by a former sailor, machinist and fine art devotee, CB)... Machinist Mates "Riding the (propeller) Shaft"...Don't get caught...don't get hurt... Anyone in blogland ever do this for real?

06 March 2011

Plug: US Navy Tailor Made Dress Blues, Liberty Cuffs and Sailor Folk Art

One of the most popular images on this site is my illustration of a pair of US Navy Liberty Cuffs which I couldn't have done without the information from Navy Collector, a site by Dan Smith SCPO, USNR(Ret). Dan recently messaged me with information about his new book "US Navy Tailor Made Dress Blues, Liberty Cuffs and Sailor Folk Art", so I thought I'd give him a plug. Thanks for your site Dan! I'm looking forward to the book. Order information is at the bottom of the image posted above.

EDIT 04/21/11: While there is a lot of fascinating stuff in this book- plenty of photos and history- and while it is obviously a labor of love- I think I should note that this is not a "traditional coffee table book". It is not bound like a hardcover (or softcover) book. (It has a spiral binding). Given that I've provided the plug above, I think I should provide (relatively) full disclosure here. If there are any publishers, graphic designers or book packagers out there looking for a potentially remunerative project, I think this book is it. I encourage you to get in touch with Dan Smith and help him out on the design and presentation angle.

15 December 2010

Salty Walt and the Rattlin' Ratlines.

Months ago, Salty Walt approached me and asked if I'd like to do some art for his sea chantey band...Not having done any band flyers since my East Village days where I (unconsciously) channeled Raymond Pettibon at the behest of Sweet Diesel's bassist, I struggled with how to portray Salty Walt and the boys... In the end, with the aid of Herbert Asbury's true-crime book "The Barbary Coast", I decided to portray them doing what 19th century sailors did best...and that's have a good debauch while ashore... Walt, Ratlines, I hope you guys have a good sense of humor...

10 November 2010

Happy 235th Birthday, Marines.



EDIT 04/25/11: This is a digital-media version of a drawing I did that was initially going to be the basis for a watercolor. I was going to do it for a Vietnam Vet friend of mine (it's him) but never finished it, because I was afraid of fucking it up. Anyways, contact me if you'd like a signed giclee! coldisthesea09@yahoo.com.

When I first posted this, it was the 235th birthday of the United States Marine Corps. So I'll leave you with the last line of the initial post: "Wherever you are today Marines, be safe!"

29 October 2010

Work Doodles



Didn't get a lot of sleep last night, so by mid-afternoon I felt like the walking dead. I had a bit of free-time, and once secured from view, I commenced to doodle.

You'll notice a couple of Guernsey sweaters in there. Being a traditional sailors garment dating back to the 18th century as a uniform item for the Royal Navy, they're made out of "oiled wool", presumably for it's water resistant property. I just ordered one- didn't get the traditional Navy blue version, but Desert Rat-ecru. (Can't have all of my clothing looking like Navy surplus). Hopefully it'll get across the pond soon, because it feels like the snow is getting ready to fly up here.

On the lower right-hand corner is an image inspired by this passage from John Dos Passos' "1919":
"Joe Williams put on the secondhand suit and dropped his uniform with a cobblestone wrapped up in it, off the edge of the dock into the muddy water of the basin...he walked slowly out to the beacon and watched the fleet in formation steaming down the River Plate. The day was overcast; the lean cruisers soon blurred into their trailing smokesmudges." 

Having crapped out while reading "Manhattan Transfer", I'm only reading the "Joe Williams" chapters of 1919 (I'm skipping the "camera eye" parts and everything else) so I'm having a great time with it. I'm also rationing it out. I don't want to finish it quickly.

Joe is a great archetypal sailor- his life follows a pattern- he goes out to sea- eventually gets fed up with it- comes back to the beach and tries to get a straight job. But the pull of life at sea is always too irresistible and he always ships out again. The scene above describes his desertion from the Navy in the beginning of the book. Someday I'd like to make that an illustration...apologies to Reginald Marsh.

24 October 2010

Troubled Water


"If you doubt for one moment that I understand your problems, if you doubt for one moment that I am a sincere black man..."...He could see the contempt in their eyes, the way they looked at him with disgust and scepticism.
                With a sudden burst of resolve, Cloud reached down to a man...and took his weapon, a heavy piece of steel...
"The first man in this crowd that for one moment does not believe my sincerity, I hold this weapon and I bare my back for you to take this weapon and beat me into submission right here!"
...Cloud stood there for a moment, the weapon held high, his heart racing and his lungs heaving, wondering if one of the sailors would suddenly charge. He knew that if one man attacked, the whole crowd was likely to follow and he would die an agonizing death, right there on the deck of the Kitty Hawk, at the hands of his own men. -From "Troubled Water: Race, Mutiny and Bravery on the USS Kitty Hawk"  by Gregory A. Freeman

One thing I love about a good sea story is that it takes you away from your troubles. It doesn't put your mind on your money woes. It doesn't make you think about politics, health care or "the education crisis". It doesn't make you think about anything real, like military policy in Afghanistan, transnational Takfirist terrorism , or our ascendant peer-competitor, China. It doesn't make you think about anything too aggravating.
"Troubled Water " by Gregory A. Freeman is exactly the opposite of that kind of sea story.
This book cuts to the core of one of America's most turbulent times- the early 1970's, when the anti-war and civil rights violence of the 1960's was still fresh in the American consciousness. In 1972 Vietnam was still raging- even though American troops had been reduced by 2/3 from their peak- and ships like the aircraft carrier Kitty Hawk were still sending in sortie after sortie over Vietnam.
It is often said that an aircraft carrier, due to the size of its manpower (5000 men) is a microcosm of American society- nothing could be truer here. "Troubled Water" details a "perfect storm" of 60's angst (the draft, racism, drugs, radicalism, anti-war sentiment) ,  the decline of military discipline and the strain of an incredibly long, extended deployment aboard the USS Kitty Hawk.
                Gregory Freeman writes that in the early 1970's race riots, radical activism and sabotage against military equipment- especially anything headed to Vietnam- were increasing in frequency within the US military. Aboard the Kitty Hawk anger over real and perceived racial incidents fueled an explosive atmosphere which erupted as the Kitty Hawk  cut short a much needed port call in Subic Bay to head back to Yankee Station.  Still tense over a racial incident which evolved into a riot in Subic, many (but not all) African-American crew members aboard the Kitty Hawk became worked up to the point where they picked up improvised weapons (everything from fog foam nozzles to tie-down wrenches) and started roaming through the ship severely beating any white sailors they came across- including those in showers, their racks or in sick bay- which was assaulted en masse several times throughout the night. Some sailors were beaten so seriously that they had to be medevac'd into Vietnam for treatment.
                On the military side of things, the book is a study in the failure of the unity of command. The riot evolved slowly and sporadically. Information was spotty, and communication between the Captain, the XO (LCDR Benjamin Cloud pictured above) and the officer of the Marine detachment, was non-existent during the crux of the violence.  So naturally, rumors flew and panic mounted. Officers were missing or not at their appropriate stations. Orders were given and countermanded over the 1MC. No plan had been created for this contingency, so none was implemented. Chaos and confusion reigned aboard the Kitty Hawk.  During the heat of the riot, some African-American crewmen voiced their intent to take over the Kitty Hawk and sail it to San Diego.
Mutiny you say? Definitely not, says the Navy. Since they were unsuccessful I think this only qualifies as an "attempted mutiny". Still- the Navy downplayed and buried the incident- as did the other services. "Chickens coming home to roost" after a couple hundred years of slavery, segregation and racist violence perpetrated against African-Americans? Most likely.
There's a lot more I'd like to say about "Troubled Water". Robert McNamara's Project 100,000 was also a factor in the Kitty Hawk riots, but time does not permit to muse on this anymore tonight. If you were in the military around this time, or have any reminiscences about racial incidents during the Vietnam War-era, please leave them in the comments.

09 October 2010

The Battle of the Atlantic: Hell and High Water



"...for it was the weather that was the most violent enemy of all. For eight days they steamed straight into a westerly gale: five hundred miles at a grindingly slow pace, buffeting through a weight of wind that seemed to have a personal spite in every blow it dealt." -Nicholas Monsarrat, The Cruel Sea.

It was the logistics train that saved Europe. From 1939-1945, lightly armed, newly built Liberty Ships  and an array of Allied (mostly British and Commonwealth)  naval vessels with air support constituted the "sinews of war" that brought gas, guns, food, ammunition and everything else a ground army needs to win, to the shores of Britain, Africa, North Russia and then later, continental Europe.

German Admiral Karl Donitz identified the logistics lines across the North Atlantic as the center of gravity for the Allied war effort against the Third Reich.  He then set about to sever them. U-Boats hunted the Allied merchant ships in groups called Wolf Packs and sent 36,200 Allied civilian and military sailors to their deaths. My Great-Uncle (an engine room snipe) was one of them. U-482 put two torpedoes into the side of his bulk-fuel carrier, the SS Jacksonville, 50 miles north of Londonderry. Two men survived, only because they were topside.

But the U-Boats weren't the only enemy. The weather and sea conditions also tormented the Allied crews as we can see in another passage from The Cruel Sea (whose author lived it, by the way):

"Aboard Compass Rose conditions were indescribable. She rolled furiously, with a tireless malice allowing no rest for anyone. Cooking was impossible...Everything was wet through: some water had come down a ventilator and flooded the wardroom: forward, the mess-decks were a crowded hell of saturated clothes, spare gear washing around their feet, food overturned- and all the time the noise, the groaning slamming violence of a small ship fighting a monstrous sea. Compass Rose caught in a storm that could take hold of her bodily and shake her till the very rivets loosened: a storm that raged and screamed at her until they were in the shelter of land again: Compass Rose adrift on a malignant ocean, seemed doomed to ride it together."

The Cruel Sea is full of passages like that. U-Boats aside, it is a testament to the skill and the emotional endurance of those sailors that they went through horrendous conditions like that, day in and day out for 6 years, all the while being hunted by submariners of the German war machine.

Technological advances made dominance in the Battle of the Atlantic go back and forth. Radar and sonar were a great boon to the Allies, but then the German schnorkel and the acoustic torpedo swung the balance back momentarily. In the end, it was the compromise of the German Enigma code that many historians credit with giving the Allies the best success in hunting, finding and killing German submarines. There were a plethora of other stratagems such as the convoy system and the coordination of air and sea power that drove the rest of the nails into the coffin of the U-Boat service of the Kreigsmarine.

But again, I think we have to give the most credit to human endurance in the face of "wrath of god"-style weather that enabled the Allies to succeed in the Battle of the Atlantic.

"...he...felt the gale whipping and tearing at his face...Compass Rose lurching under his feet as if the world itself were drunk, it was with a body from which every instinct save dumb endurance had been drained...the water crashed and thudded against their side, and the wind howled at them out of the blackness as if it had a conscious intention of terror. Round them there was nothing but a waste of sea, a livid grey whipped up here and there to white foam; and then beyond it, like a threatening wall, the surrounding dark, the chaos and  flurry of the night."

30 September 2010

Duffle Coat Experiment

This was just an experiment in digital color for me. I am super not happy with the results, but it's a baby step, and I'll try again.

05 September 2010

A History of the Gadsden Flag

This is a joint venture conceived by Monkey Fist (of Maritime Monday fame), written and photographed by Tugster (Will Van Dorp) and illustrated by yours truly.

Let's let the Tugster take it away:

For this first launch, let’s do Q and A format: Doesn’t the yellow rattlesnake flag so common in political rallies recently have a maritime history? What IS that maritime history?

Below is an example of the flag, flying over a great coffee, beer, and lunch place up in Cold Spring, New York (across the river from West Point) .




These yellow flags with rattlesnakes you may have started seeing everywhere. . . they are not new. I trace them back to the contrarian from Pennsylvania who played with lightning, yes … Benjamin Franklin. He also extolled the health benefits of skinnydipping and created bifocals, without which we older folk couldn’t exist. His wit generated such gems as “fish and visitors stink in three days” and “beer is evidence that God loves us.”

Franklin liked rattlers, even proposed they become our national symbol because they were honorable beasts who –if they felt tread upon—would communicate, would rattle a warning of an impending strike if said-treading continued. Before the “French and Indian” War (1754—1763), Franklin published a quite famous political cartoon featuring a rattler chopped into eight pieces with the caption “Join, or Die,” probably an earlier draft of his aphorism: “we must hang together or we shall hang separately.”

The next North American war saw colonists fighting the British Empire. The first commander-in-chief of the fledging “colonist’s navy” was Commodore Esek Hopkins. By then, the rattler flag (a version that had an uncoiled rattler superimposed onto a red-white striped field) had gained the support of Continental Colonel Christopher Gadsden of South Carolina. In 1775, Hopkins was instructed to use the flag to signal an engagement with British warships on the Delaware River. As such, it became the first Navy Jack. The rattler symbol also decorated the drums carried by the five companies of Marines in Hopkins’ fleet.

In 1980, the rattler flag took on new significance as a result of the directive from the Secretary of the Navy that the flag be flown by the naval vessel in longest active status.

The August 31 NY Times ran an article about Andy C. McDonel, who was told by the Avalon Village Community Association that he could not fly the rattler flag. This is a non-story, I think: community and neighborhood associations everywhere enforce charters or covenants about such things as how many cars can be parked in a driveway or what hues of which colors you may paint your house. They can tell you you’ve planted the wrong flowers or cannot grow corn in your garden!


What’s not discussed though a strong undercurrent, it seems, between McDonel and the Community Association is the new set of associations the flag has taken on, as the appropriated symbol of the “Tea Party” movement, which explains why we’re seeing it so much these days.

That’s how it is with symbols; with time, they acquire new associations. I have a yellow t-shirt with a rattler. I used to wear it partly as tribute to the First Navy Jack and partly as reflection of my years in libertarian New Hampshire. I think I might retire it for awhile. And given my admiration for Franklin, I might just find one with a turkey, the beast he wanted to see as our national bird. Either that, or—much more fun– I’ll pay my tribute to Franklin and go dipping skinny.



Cold is the Sea, here. By the way, I just couldn't let the opportunity pass to link you to Kate Beaton's excellent take on Ben Franklin's conception of the Gadsden flag's predecessor, the "Join or Die" political cartoon...

01 September 2010

USS Kirk on NPR



Boy was I shocked and surprised today to hear NPR do a story about the role of the USS Kirk in the evacuation of Vietnam...I would love to do a little art for this, but time does not allow and my eyelids are heavy...Fascinating and poignant sea story there. I was also surprised to hear about the role Richard Armitage played in directing the rescue of RVN Navy personnel and their families. Listen to the NPR story- especially this segment- and learn what happened to the pilot of the foundering Chinook featured above after it smacked into South China Sea.

31 August 2010

Matlow v. The Bolsheviks ...One Panel at a Time...

I've been wanting to continue on with my "Matlow v. The Bolsheviks" project for a while now and I decided that what was holding me back (among many things) was my desire to get everything 100% historically accurate and write the story first. Well, I'm a busy guy. I just don't have time for any of that! So here we go with the new format, fast, on the fly and barely accurate. :) Story (sort of) follows from here.

15 August 2010

Matterhorn


I've been tearing through Karl Marlantes' Vietnam novel "Matterhorn", which set my mind and pen wandering to draw this sketch. (This is taken from Larry Burrow's Pulitzer Prize winning photo taken atop "Mutter's Ridge" in 1966.) Having read a ton of Vietnam novels in my day, I can offer the informed opinion that "Matterhorn" is one of the best Vietnam novels, if not one of the best war novels ever written. There's no hackneyed patriotism or testosterone fueled chest thumping manly action. The bravery and heroism displayed in the book are demonstrated by men who simply survive horrific, grueling conditions that are sometimes (often) created by the whims of the 'politically' ambitious.

A poster on Terminal Lance (who I assume knows from whence he speaks) says that the novel could have taken place during our current war, implying that the more things change the more they stay the same. Indeed, Marlante's publishers urged him to change it and make it about Iraq or Afghanistan.

What makes it unique from most Vietnam fiction is that racial tension is one of the main drivers of the story. (Marlantes says that in early drafts he tried to avoid it but couldn't.) In James Webb's Fields of Fire (which I consider to be the best novel about Vietnam), racial issues create some of the conflict, but not to the extent they do in "Matterhorn". I chose to sketch the image above, because it exemplifies how Marines in line units transcended racial friction- even though Marlantes says that once they were out of the field, that same tension became impossible to ignore.

There are parts of the book which are grueling and exhausting to read and make you wonder how anyone could have survived. Very little war literature (with the exception of "The Thin Red Line") approaches the vivid detail and intensity in which the suffering sustained by Marlantes' Marines (and Sailors) is illustrated.

Anyways. Hell of a book. I'm glad it made it into print.

10 August 2010

"If you have a problem, if no one else can help, and if you can find them..."


Moments ago (moments people!), the incredible Monkey Fist (of Casco Bay Boaters, Maritime Monday and the brand-spanking new "Adventures of the BlackGang" fame) emailed me and asked "Where the hell's the maritime art?" (she didn't really ask that...).

So, I'll share with you a few of the remotely maritime snippets of a commission I've been working on for the last couple of months (months? yikes...better step on it).

Above you see the visages of USMC Gen. James Mattis, JCS Chairman Adm. Mike Mullen and the legendary Gen. Victor "Brute" Krulak. What do all these guys have in common? Well, you'll just have to wait and find out. Hopefully, you won't be waiting forever... <:)

05 August 2010

Today's Inspiration: Carl G. Evers


Whenever I need some illustration inspiration (which is every day) I head over to Leif Peng's "Today's Inspiration" where he showcases illustrators from the the unparalleled era of the 1940's and 1950's.

Today, he showcased Carl G. Evers, a maritime artist who I'd never heard of, who painted in gouache! I paint in gouache a lot and let me tell you...even contemplating trying to approach Evers level of mastery over that medium is a daunting prospect.

Anyways, if you want to see some really fantastic maritime art, head on over to Leif's place for Charlie Allen's retrospective on Carl G. Evers.

03 August 2010

Tugster: My Babylonian Captivity



Hi folks. No art update today as I'm still trudging through a challenging commission.

What I would like to do is introduce you to a new blog by Will Van Dorp (author of the amazing Tugster blog) entitled "My Babylonian Captivity". Will has the unusual distinction of surviving the opening salvos of the 1990-91 Gulf War as a human shield held by the Iraqis in Kuwait. His new blog will present excerpts from a previously completed manuscript detailing his captivity.

Fascinating stuff. Head on over and take a look.